Showing posts with label dune. Show all posts
Showing posts with label dune. Show all posts

Saturday, March 6, 2010

Everyday Hinduism, or How to order bindis from India

"In memories of her beloved, life is restless with longing.
He's in the bindi on my forehead.
He's in the sleepiness of my lashes."
-from the song "Dola Re Dola," Devdas


http://product-image.tradeindia.com/00223742/b/0/Bindis.jpg
Fig.1 Oooooh shiny

'Twas a hot summer day in 2006 when my best friend Connie and I went to Islands of Adventure in Orlando. As is typical whenever we go to theme parks together, we were feeling adventurous and decided to work up the courage to hit the rollercoasters. Having grown up in central Florida, we had our share of hours on various thrill rides at Busch Gardens, Sea World, Disney, EPCOT, Animal Kingdom, and Universal Studios, but had never really taken advantage of the superior rides at IOA. Once we survived (and loved!) the Dueling Dragons, we were gung-ho for The Hulk and actually returned to the Dragons for a second time.

Somewhere in there, though, we stopped in at one of the Lost Civilization Island’s fantasy bazaar (now refurbished into Harry Potter World, or whatever), where all the shops are made up to look like they were lifted straight from Aladdin. Of course, I found the tent hawking the overpriced bellydancing supplies and fawned over the jingly belts and earrings and costumes I would never buy outside of a Renaissance Faire (much better deals). But I did pick up a small packet of multicolored bindis and promptly shared them with Connie. I wore a pink one and she wore blue, to coordinate with our t-shirt colors. We felt extra pretty walking around all day with our foreheads so adorned, but little did I know this one impulse purchase would lead to a new personal fashion habit that continues to this day.

_DSC0087.jpg picture by monsterunderkilt
Fig.2 Bollywood Babe Wannabe sighting in Key West

A few weeks later, I brought the same set of bindis with me on a week-long family trip to Key West. Key West, being Key West, is the provenance of all things kitsch and casual in my beloved state of Florida. Art shops, pirate jewelry sellers, pizza parlours, creperies, Margaritaville, Sloppy Joe’s, the Hog’s Breath Saloon—all bathed in the colors of the setting sun and neon signs. Almost everything we ate was seafood or was impregnated with key lime the same way everything on Dune is impregnated with Spice. It’s warm and inviting, but small and colorful and comforting, and you get the feeling that after dark, anything goes on Duval Street. There are kitschy restaurant bars every 50 feet, trinket shops in between, and streetside kiosks offering henna tattoos. It was just the kind of place I could wear my bindis, buy a sari (which I did), and walk around wearing both without feeling out of place.

When I got home, the bindis stuck, but I soon realized that they have an expiration date. The glue doesn’t hold out for long, and they get cruddy after a few weeks of constant use.

http://upload.wikimedia.org/wikipedia/commons/3/38/Indian_Woman_with_bindi.jpg
Fig.3 That's a SERIOUS Bindi

"Bindi" means “dot” in Sanskrit. Originally, they signified age, marriage, and/or religious affiliation, depending on who was wearing one (yes, even men wear the mark of sindoor on holy occasions). Traditional ones were simply crimson or yellow vermillion powder applied to the forehead during temple ceremonies or everyday home shrine puja offerings. The placement is meant to represent the ajna chakra, known as the center of insight and wisdom. The color red also represents the femenine power of the goddesses Sati and Parvati, and women who wear this tilak ("mark") will receive their blessings.

After years of watching Hindi movies (I promise a post on that soon!), I had seen every shape and size of bindi worn by hot Bollywood actresses, and it was just a matter of time before I decided that I wanted a piece of that action. Sometimes they wore them, sometimes they didn’t, and sometimes they wore big gaudy ones for special occasions.

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Fig.4 Aishvarya Rai pimpin' her bindi in the movie Devdas

South Asian women in modern times treat the bindi as any other piece of jewelry or fashion accessory, no matter what their social status or association. As a result, they now come in an eye-popping array of styles, as I soon discovered when I went online to search for an internet site that sold them. Bindis come in every color to match your outfit and every size and shape to suit your occasion. They come plain or encrusted with crystals, pearls, and metallic accents.

The first site I ordered from sent me a small slightly battered package a few weeks later. It was a box wrapped in white cloth, sewed up with thread, my address was written in blue marker on the top, and it was slapped with a customs declaration certificate from Vastrapur Ahmedabad, India. It certainly looked like it had come from halfway around the world. Pretty wild, right?

DSCN0727.jpg picture by monsterunderkilt
Fig.5 We're not in Delhi anymore, Toto

I have since tried other sites as well, and one, Visionsofindia.com, hails from California, so my packages come much more quickly. Now, I’ll purchase between eight and ten new little packets of bindis every three months or so, so I get to try new styles all the time. I wear them everyday, every time I go out. It’s as obligatory as earrings or a necklace and I feel naked if I forget to put one on. The websites sell skin-safe bindi glue, but I’ve found that eyelash glue works very well, too. I have quite a collection, and I use the old ones to fancify picture frames or bedazzle some other craft I may be creating.
I’ve been lucky that my employer has no objection to my little quirk. Sometimes I think that they think it’s a strictly religious thing, and what with all the Islamic hijab-related school uniform debates in the news, they don’t want to be sued for discrimination. They don’t care about my tiny gold nose stud either, which is even more innocuous than the bindis, but complements my overall recherché Indian fashion so well that neither register as especially unusual.

Early on, my good friends got used to it immediately, calling it “such a Caity thing.” Given that they’ve witnessed my long history of hair and jewelry-related personal fashion kicks through the years, bindi-wearing was an organic development.

ICN_0090.jpg picture by monsterunderkilt
Fig.6 Another trademark "Caity Thing"

The most frequent inquiry from co-workers or random people standing in line at the cash register is about whether or not it’s a piercing, and I have to explain that it’s really just a snazzy sticker. I also get asked whether it “means something,” and I say that for me, it’s just something pretty, and what girl doesn’t like a little something extra sparkly to wear? I also clarify the ancient versus modern interpretation of its significance, and I feel happy that I’ve injected a bit of world culture into someone’s day.

When I’m out in places full of people who don’t work with me everyday and are incidentally immune to the oddity of bindis, I get glances and outright stares, especially from little kids who point tug at their mother’s shirt and poke at their own foreheads to communicate their absolute amazement at my facial adornment. I’ve even gotten a few bright elementary school children who correctly identify it as an “Indian” thing. They love it, and I wouldn’t be surprised to see them start running around with Dora The Explorer stick-on earrings worn on their ajna chakras.

At the end of the day, I remind myself that the Buddha wore bindis, and protecting the wisdom chakra with a bindi never hurts. The last thing I do after getting ready for the day is choose a bindi to wear, and in that way, what began as a fashion statement has evolved into religious ritual for me. The bindi does mean something to me. It’s a constant expression of my faith in beauty, wisdom, and individuality. With that definition behind the bindi, I don’t foresee my ever growing tired of it.

Fig.7 A girl has so many choices...

Saturday, November 21, 2009

Dashboard Buddha: Dune Edition


dashboardbuddha1.jpg picture by monsterunderkilt


The universality factor is not one limited to Buddhism. Followers of every religion see aspects or images of their faith in everyday situations, culture, literature, and sometimes even tortillas and cinnamon buns. These “sightings” often end up telling us more about ourselves than about the religion, i.e. seeing the beauty of a blooming flower as evidence of a supreme being’s love of beauty or that we truly bask in the wonder that God would take time out of his busy daily schedule to manipulate the heating elements in toasters to create vaguely Jesus-shaped burn marks on bread.

But what is most telling about such visions is that we want to believe. We want to believe that the words of our gospels, hymns, pujas, mantras, and prayers apply to our lives in a fundamental and thinly veiled manner. This is natural and to be expected if we are ever going to push ourselves through toward heaven or enlightenment. Unfortunately, this expectation has to potential to limit our spiritual vision. If we only look for what is obvious as a sign that we are on the right track, we miss out on the infinite subtleties of the Universe. An outsider may not understand the spiritual significance of a Native American peyote ritual or a sweat house, simply because Jesus didn’t talk about it. Or someone may not understand the simple antiquated existence of Mennonites because they live in a metropolis and can’t imagine not having a Facebook account.

In my Dashboard Buddha entries, I will chronicle my attempts to lay the template of my beliefs over commonplace things. It could be any number of sci-fi fandoms, a weekend activity, a movie, a book, a TV show, or a single act of a person that struck me as an enlightened thing to do. I’ll make a concerted effort to turn my spiritual gaze toward the ubiquitous and the unintentionally profound. As George Clooney once said in O Brother, Where Art Thou?, I will “see the lilies of the goddamned field.”

I christen this column with a piece about that most famously misunderstood and deeply geeky of sci-fi adventures: Dune.

I must not fear.

Fear is the mind-killer.

Fear is the little-death that brings total obliteration.

I will face my fear.

I will permit it to pass over me and through me.

And when it has gone past I will turn the inner eye to see its path.
Where the fear has gone there will be nothing.

Only I will remain.
--Bene Gesserit Litany Against Fear, "Dune," Frank Herbert


Lego-Dune
Fig. 1 You know you've made it when you're immortalized in Lego

I’m probably one of the few people who saw the original 1984 David Lynch film version of Dune and was positively mesmerized instead of utterly dismayed. I only saw it because I had been watching Twin Peaks re-runs and had a crush on Kyle MacLachlan and I did what any self-respecting teenage girl does when she has an actor infatuation: I watched everything I could find no matter the known quality or lack thereof. What resulted was affection more powerful than that between a girl and her Hollywood boyfriend. The world of Dune had been unleashed upon my impressionable, youthful sci-fi nerd brain and I was dutifully impressed.

When my dad told me I should read the book I was wholly gobsmacked. “There’s a book?! I must read this book!”

Soon after I started reading Dune, I had the privilege to be retroactively disappointed in David Lynch’s movie. This is the complete opposite experience for most people who love Dune. I believe my example proves more the undeniable genius of Frank Herbert than any backwardness on my part.

Dune, which is richly saturated in all manner of religious allusions, has become an exceptionally abundant goldmine for me. The flakes of Buddhism are shiny and plain to see.

At the beginning of the novel, Paul Atreides, the son of the Duke of Caladan, must undergo a special test. It’s a test that will help determine if he is the Kwisatz Haderach—a prophesied messiah in the “Duniverse” who is said to have the power to bridge time and space and inherit the memories of all his ancestors. The test, which involves placing your hand into a black box and feeling it burn with incredible unbearable pain, is designed to test one’s ability to see through fear, and therefore determine your human-ness (as opposed to “a machine created in the likeness of the human mind”—the ultimate sin). The box itself is nothing more than a box, but through “nerve induction,” you are made to believe that your hand is burning up inside.

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Fig. 2 Walk without rhythm, you won't attract the Worm

During the test, Paul repeats the Litany Against Fear over and over in his mind and passes the test, never jerking his hand out of the box because he realizes that his fear is unfounded. He is the first male in history to pass this test, which makes the Bene Gesserit suspect that he is the Kwisatz Haderach.

The fear Paul experiences is just an altered perception of reality. Buddhism suggests that all of reality is perception. The key concept of the Diamond Sutra—so-called because it cuts through illusion as sharply as a diamond—is that nothing is what it seems.

Fig. 3 The Diamond Sutra is the Buddha's best friend

The Diamond Sutra invokes the example of a rose. What is a “rose?” It’s made up of thorns, petals, a stem, water, chlorophyll, some perfume. But each of these things alone is not a “rose.” That object we call “rose” is actually an amalgam of parts that constitute a “rose.” Just as we are not fully ourselves without our body parts and a soul or an ego and the people who surround us and call us by our name, a “person” is a combination of things. Nothing, except perhaps subatomic particles—and we can’t even be sure of that—is independent of other things.

We meditate upon this and discover a simple, yet weighty philosophical equation: a “rose” is a “rose” because it is not a “rose.” That’s Buddhist math for you.

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Fig. 4 Kyle MacLachlan IS the Messiah because he is NOT the messiah... especially if he can't beat up Sting

A through-line theme of Dune is that the mahdi “Messiah” or “God-Emperor” involved is not simply a messiah or a god-emperor. Frank Herbert writes of “a world being the sum of many things.” The prescience and “other memory” of all the messiah’s past ancestors makes the messiah everything and everyone, dependent on everything and everyone. Muad’dib is Muad’dib because he is not Muad’Dib.

Muad’Dib, being the wise and prophetic man he is, would have agreed with Buddha implicitly: “There exists no separation between gods and men, one blends softly casual into the other.”

The preceding essay is in no way exhaustive of Dune’s spiritual ore. I promise it will surface again and again in the future, like a tea leaf stirring around and around, up and down in a hot teapot. Mmm spice tea...

Long Live the Flavours of Muad'dib by phronetic.
Fig. 4 Dune in-joke du jour